An Exploration of the "Appreciation by Both the Refined and the Popular" Path in Song and Dance Troupe Performances
Abstract
In the context of contemporary cultural diversification, song and dance troupe performances face the challenge of integrating tradition with modernity, and elite aesthetics with popular tastes. As a traditional Chinese aesthetic paradigm, "appreciation by both the refined and the popular" embodies a rich cultural context and dynamic symbolic interaction. From the perspective of aesthetic logic, this paper systematically explores innovations in content generation, narrative mechanisms, and aesthetic experience within song and dance troupe performances. By means of deconstructing and reconstructing cultural symbols, integrating diverse aesthetic elements, updating narrative structures, and enhancing audience-performer interaction through technological intervention, dance performances have achieved an effective dialogue between traditional culture and modern aesthetics. This promotes the transformation of the concept of "appreciation by both the refined and the popular" within the contemporary artistic ecology. The study reveals the mechanisms by which aesthetic experiences are generated under cross-cultural and digital technological conditions, providing both theoretical and practical references for the future development of dance art.
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